Craft & Heritage
Museum-Grade Tang Dynasty Art Arrives in the UK
Museum-Grade Tang Dynasty Art Arrives in the UK: A Masterpiece of Sancai Ceramic Horse Now Available
The Craft of Tang Sancai (Part 6) – Finishing, Quality Assessment, and Legacy
The kiln has cooled, and the finished Tang Sancai pieces have been unloaded. But the work is not yet
The Craft of Tang Sancai (Part 5) – The Final Glaze Firing
The application of glazes is complete. The glazed pieces, now covered in a dusty, matte layer of col
The Craft of Tang Sancai (Part 4) – Glaze Application
With the glazes prepared and tested, the next step is applying them to the bisque-fired clay body. T
The Craft of Tang Sancai (Part 3) – Glaze Formulation and Preparation
After the bisque firing, the brick-red or light pink clay body is ready to receive its most distinct
The Craft of Tang Sancai (Part 2) – Shaping the Clay Body
After the clay has been properly selected, prepared, and wedged, the next major stage is shaping the
The Craft of Tang Sancai (Part 1) – Material Selection and Clay Preparation
Tang Sancai (tri-colored glazed pottery of the Tang Dynasty) owes its enduring brilliance not only t
Tang Sancai: The Globalization of a Chinese Ceramic Treasure
Tang Sancai, or tri-colored glazed pottery of the Tang Dynasty (618–907 AD), represents one of China
Tang Sancai: A Chinese Treasure in the Western World
Among the ancient treasures of the British Museum, a group of Tang Sancai (tri‑colored glazed potter
Tang Sancai: The Modern Renaissance of an Ancient Craft
In a workshop on the outskirts of Luoyang, a young artisan carefully brushes green, amber, and white
Tang Sancai: The Glazed Epic of a Golden Dynasty
In the exhibition hall of the Luoyang Museum, a tri-colored glazed horse whinnies silently, its body
The Art of Tang Sancai: A Journey Through Its Creation
The Art of Tang Sancai: A Journey Through Its CreationIntroduction and Historical ContextTang Sancai