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Collection 01 · Hand-painted

Retro Abstract
Mineral Paintings

Mineral pigment bound with marble dust and ash, built up in layers on linen panel and scraped back between passes. The surface ends up closer to a weathered wall than to a picture — which is why no two can be repeated.

Medium
Mineral pigment, marble dust and ash on linen panel
Edition
Original — one of a kind
Size
Panels built to your wall
Lead time
4-8 weeks

14 WORKS

The collection

Commission this collection
Ash Field I — Mineral pigment, marble dust and ash with mixed media on linen panel Hand-painted
Mineral Fields

Ash Field I

Layered ash and marble dust settle into a pale, wind-worn surface.
Ash Field II — Mineral pigment, marble dust and ash with mixed media on linen panel Hand-painted
Mineral Fields

Ash Field II

A warmer cut of the same ground — putty and umber under a sand-dry skin.
Verdigris Field — Mineral pigment, marble dust and ash with mixed media on linen panel Hand-painted
Mineral Fields

Verdigris Field

Celadon and sage pressed into a surface that reads like oxidised bronze.
Oxide Field — Mineral pigment, marble dust and ash with mixed media on linen panel Hand-painted
Mineral Fields

Oxide Field

Iron oxide bleeding through an olive ground — rust without the drama.
Ochre Field — Mineral pigment, marble dust and ash with mixed media on linen panel Hand-painted
Mineral Fields

Ochre Field

Yellow ochre over stone grey — the warmest piece in the series.
Mineral Blue — Mineral pigment, marble dust and ash with mixed media on linen panel Hand-painted
Mineral Fields

Mineral Blue

Slate blue and mineral grey — the coolest, most architectural panel.
Charcoal Bloom — Mineral pigment, marble dust and ash with mixed media on linen panel with silver leaf Hand-painted
Mineral Fields

Charcoal Bloom

Charcoal ground with silver lifted through it — depth without colour.
Starfield — Mineral pigment, marble dust and ash with mixed media on linen panel with silver and mica Hand-painted
Mineral Fields

Starfield

A black field sown with silver and mica — a night sky read as a surface.
Script (Diptych) — Oil stick, wax crayon and mineral pigment on two linen panels Hand-painted
Script

Script (Diptych)

Two panels of colour script over a dark umber ground — a conversation, not a text.
Script No. 4 — Oil stick, wax crayon and mineral pigment on panel Hand-painted
Script

Script No. 4

Dense colour script on a black ground — the loudest piece in the studio.
Petal Ground — Mineral pigment and oil pastel on chalk ground Hand-painted
Petal

Petal Ground

Colour blooms scattered on a chalk ground, held in place by a thin grid of line.
Pastel Drift — Mineral pigment, gesso and soft pastel on panel Hand-painted
Petal

Pastel Drift

Blush and lilac drifting across gesso — the softest surface in the series.
Relief Study — Olive Bar — Built-up gesso, mineral pigment and timber batten on board Hand-painted
Relief

Relief Study — Olive Bar

A quiet object: two grey planes divided by a single olive bar.
Relief Study — Fold — Built-up gesso, mineral pigment and timber on board Hand-painted
Relief

Relief Study — Fold

Two folded planes in chalk and grey — architecture at the scale of a wall.

Made for you

Every work here can be commissioned

Choose a style, tell us the size and palette, upload any reference. We quote first, you approve, then 50% deposit starts the work.

Not sure which piece

Send a photo of the wall

We reply within 24 hours with two or three works that fit the space, marked up at scale on your photo.

COMMISSION

Retro Abstract Mineral Paintings — in your size, in your palette.

Upload a reference or describe what you want. No payment until you approve the quote.

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